| As simple as the initial questions are
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| | they can be combined perfectly. In fact,
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| what make thriller fiction become more
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| | humour is a close relation to fear and a
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| attractive to readers and how to make
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| | common reaction.
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| thriller really thrilling? What is
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| | Emotional interference
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| mechanism of thriller fiction writing and
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| | Emotional interference refers to the
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| how does it work? Which factor of common
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| | circumstances that weaken human feeling
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| element that I should pick up for my
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| | of security and this is the main touch
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| writing? And end up with a kind of
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| | base of writing thriller fiction. By
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| question like how to write a successful
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| | trying to write about something emerge
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| thriller fiction?
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| | suddenly without notice, which make us
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| The answer is really rely on human
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| | very reluctant to open the door, or after
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| psychology and biology, which about how
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| | we have seen a scene of gush flying
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| people think and how they behave as well
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| | around the room and then after we see a
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| as mechanism on how their brains work.
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| | man on the street wielding the knife,
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| Why thriller stories scare us?
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| | then we start to feel sacred, this is the
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| I have to say that not all of thriller
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| | way of our feeling of security has been
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| make us scared, this is just because it
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| | weakened.
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| is really depend on how the stories were
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| | Find out where the scare come from
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| written, if they were written badly, they
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| | Firstly, you have to define what really
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| may not be horrified enough. The word
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| | scare is, what we call scare. Something
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| "scare" refers to something that make us
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| | like disembowelled child and the
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| feel of fright or fear or may lead to the
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| | paedophile are, even what the creep is
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| feeling of death to people. However, the
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| | doing, but that's not the scare, or the
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| reason why not all thriller stories make
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| | horror. Instead what we call real scare
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| us scared is something also depends on
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| | is what can interfere inside you, what
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| the objective of the writer, which he/she
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| | can make your emotion change into feeling
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| might want something else from readers,
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| | of unsecured. Effective thriller writer
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| not just to make people horrified.
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| | have to access to readers heart to find
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| In fact, it is quite simple to
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| | out where is the readers secret corner of
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| understand that horrified is a
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| | fear.
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| fundamental manner of human, which is
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| | Have you ever wondered that why some of
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| what exactly about what can disturb or
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| | thriller books can keep readers staying
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| interfere our security and this is the
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| | to read without going anywhere? This is
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| aim of writing of thriller fiction.
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| | just because the writer can find that
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| However, there are some argument
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| | secrets as well as th writer also provide
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| existing around, which is about is it
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| | good books invoke images, the product of
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| only necessary for thriller just to scare
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| | the reader's imagination and that
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| people? Are there any other purposes of
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| | imagination is the worm hole we use to
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| writing thriller? And what about humour,
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| | take our reader's comfortable emotional
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| Is it possible to combine humour and
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| | world and to give it a prod.
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| horror together. The answer is yes and
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